Meatloaf Rest In Peace Michael Marvin Lee Aday Shirt
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Meatloaf Rest In Peace Michael Marvin Lee Aday Shirt! When I moved to Manhattan and to American Vogue in the sultry summer of 1992, the magazine featured a larger-than-life cast: Polly Mellen and Carlyne Cerf de Dudzeele, Candy Pratts Price, and Grace Coddington among them. But André was bigger than all of them. It's not just his physicality, it's his point of view: it's fascinating to see André at work. Every time he went in and out was an event, and when he left, he took his oxygen tank with him. In fashion meetings, André is very consistent and loud. His reactions to collections can be offensive, and he is often a dissident. His eye sees everything and his memory for the changing nuances of fashion over the decades is sharp. There was never a dull moment with him. Time with André is gala time; He doesn't do anything trivial. And he's always promoted and fought for diversity, nurturing, supporting, and motivating young and established designers, models, and performers of color, and making sure they find his place on the pages of magazines, on the runway, in the stores.
When the copy for his sui generis style columns arrived, it was written (or dictated) in the Vreelandese stream of consciousness, and a series of very loyal copy editors made it what the public General reading may find it easier to digest. Meatloaf Rest In Peace Michael Marvin Lee Aday Shirt I am grateful to one of these, Riza Cruz, who joined Vogue in 2006 and recalls a classic exchange, verbatim, which I reenact here to give a sense of life on the André road. The mysterious disappearance of Miranda Hobbes André, in the article: “Compared to Riza, writes: “In the 1970s, DVF and Marisa Berenson used to comb their hair on iron to straighten their hair. They will flatten it with an iron! On the table is! Iron. Can you pick up the phone? Right now, I want to confirm that. Put it on the speaker! André passed the number to Diane von Furstenberg, who validated the story. “Mm-hmm,” he said, clapping his hands three times. "Now that's what I call authenticity verification!" Every moment with André is as big as this. When fashion movies come and go (Pret a Porter, The Devil Wears…, you know), they can't even begin to compete with the real thing. No screenwriter could have invented André.
