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Official Hayek Collectivism Is Slavery Shirt! The Venice Biennale is the Olympics of contemporary art,” as curator Eugenio Viola said. It's a well-used metaphor: In addition to selected artists from around 80 countries exhibiting in their respective pavilions, the 59th Venice Biennale, open to the public on Saturday, features an exhibition. The central exhibition houses the work of 213 artists from 58 countries. Just like the Olympics, the real achievement is here, but there are also prizes to be won. Over the weekend, Sonia Boyce (in the UK pavilion) and Simone Leigh (of the US), each of the first Black female artists to represent their country in the Biennale's 127-year history won the award. Venice's coveted golden lion. Other must-see works are numerous: works by esteemed Okoyomon in that central exhibition and Pavlo Makov's Ukraine Pavilion installation are creating both buzz and line. By contrast, the Russian Gallery lies empty, locked up, and guarded by an armored guard: Its curator and artists resigned after the invasion of Ukraine. Representing Italy is Gian Maria Tosatti, the first solo artist to have the honor with which Italy has always represented groups of artists in the past. He worked to bring to life his installation, curated by Viola, with a collaborator with inherent Italian artistry and ingenuity: Valentino. the forger was invited by Valentino to preview the exhibition with Tosatti, Viola, and the house's creative director.
Pierpaolo Piccioli, before the opening dinner Friday night, at which Valentino's latest collection was pink. is proof. Guests included artists Anselm Kiefer and Khari Turner, gallerist Destinee Ross-Sutton, Generation X author Douglas Coupland: Tales for an Accelerated Culture, and actors Kiernan Shipka, Vincent Cassel, and Tina Kunakey. Tosatti's massive installation, Storia Della Notte e Destino Delle Comete ("The Dark History and Fate of the Comet"), is a work of art that leaves the viewer in awe. To put it very simply, it is divided into two parts. Official Hayek Collectivism Is Slavery Shirt! The first is a series of rooms that take your breath away like monumental archeology of post-industrial decay. Viewers step in to ensure a level of contemplative stillness and are confronted with a series of workplaces where workers seem to have suddenly disappeared. In one room, rows of sewing machines and benches look like those I've seen in the many factory visits I've made while the fashion piece still lingers with the oily smell of recent maintenance. . Huge and nonexistent blocks of machinery surround you. In these rooms, going up against some stairs to the mezzanine is a small apartment (presumably the place of the plant caretaker) with patterned but faded bricks underfoot and a bed narrow, barren. Artists and curators are inviting viewers to see the human heritage of 20th-century industry like the one that brought Italian ready-to-wear clothing to global prominence in the 1950s and 1960s.
