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Official soon To Be Step Mom Est 2022 Rainbow Mother’s Day T-shirt! Sofia Coppola is sitting, kneeling on the oak steps of the McKim, Mead, and White Stairs Hall at the Metropolitan Museum of Art. She wore a sharp Chanel suit, in stark contrast to the gorgeous beaded aubergine velvet dress on the mannequin in front of her. “This is the first time I've seen dresses in space, not in the office,” she told Annie Leibovitz, who was photographing her. Coppola was one of nine directors tasked with converting the 13-room rooms in the museum's American Wing to showcase American fashion history from the late 18th to late 20th centuries for "In America: An Anthology" fashion", part two of the Costume Institute's Comprehensive Survey of American Fashion. (In addition to Coppola, the directors include Radha Blank, Janicza Bravo, Autumn de Wilde, Julie Dash, Tom Ford, Regina King, Martin Scorsese, and Chloé Zhao.) directors with rooms based on their work. “The idea was to bring the museum to life,” said Coppola, who was assigned the intricate paneled staircase where she sits, along with the adjoining.
Worsham-Rockefeller Dressing Room, both highlighting New York's emergence as America's fashion hub in the late 19th century was a natural niche for Coppola, now working on an adaptation of Edith Wharton's The Custom of Country. “It invites the audience in,” she said of the cartoon motif. “Hopefully you get lost in the moment of each space.” De Wilde, meanwhile, Official soon To Be Step Mom Est 2022 Rainbow Mother’s Day T-shirt! is assigned to the Baltimore and Benkard Room, which shares the same period as her 2020 film Emma; King will explore themes of race and gender in the work of the prominent black dressmakers in the Richmond Room; Blank will transform the Haverhill Room; Zhao is taking a quiet and researched approach to the Shaker Retirement Room; Ford, an American fashion icon, was well-suited to participate in the Battle of Versailles on the set of Vanderlyn Panorama; Dash will reference cinema history in the Greek and Renaissance rooms; Bravo drew on her original background in production design for her work in the Rococo Revival Parlor and Gothic Revival Library, and Scorsese seemed best suited to feature Charles James in the museum's Frank Lloyd Wright Room treasure.
