Classic Men's T-shirt

Classic Men's T-shirt! For Demna Gvasalia, artistic director of Balenciaga, haute couture - reintroduced to the longstanding brand on 7 July (for the first time since the founder's retirement in 1968) with a presentation Powerful, elegant, presented in silence and fragrance, has managed to be both revered and iconic — as “almost like a holy grail, like an altar in a church.” When he joined Balenciaga in 2015, Gvasalia had a strong understanding of the fashion house's history and its roots in handcrafted couture, perfectly conceived under the direction of Cristóbal Balenciaga, a humble Spaniard. modest, who was hailed by Christian Dior as "the master of all of us". Balenciaga shaped fashion from 1937 - after he fled the Spanish Civil War to found his brand that had spent more than two decades in Paris - until he closed his house in 1968 (bitterly complaining that his haute couture career, in which he wore the most stylish and demanding women of the century, was "a dog's life"). “The reason he closed down was really the advent of ready-to-wear,” Gvasalia said, in the weeks leading up to the show. “Today, we can return to high fashion, thanks to the success of ready-to-wear.” Gvasalia's approach to Balenciaga focuses on what he calls the "aesthetic pyramid". As he explains, at the base is “stylish sneakers, then fashion class — more streetwear, easy to wear every day” and then “high-fashion, wearables” more conceptual — a level above streetwear”. On it, he said, “I feel this big black hole. 

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“A lot of people see me in the streetwear scene, but that's not at all how I see myself as a designer,” continued Gvasalia. But why couture? “Honestly,” he confided, “It took me a while to earn a bit of ‘economic prestige’ — I wouldn't call that money — to be able to afford couture! I need to work all these layers in the pyramid. [And] I need this time to reach my comfort zone — I didn't dare until recently. " To immerse her and her chosen cast of models in the haute couture mood, Gvasalia screened a remarkable series of Cristóbal Balenciaga haute couture shows — shot by photographer Tom Kublin since 1999. 1960 to 1968 — on a giant screen in his tailor shop during the refit. Unlike the glasses produced in the lavish, fast-paced, and lavish atmosphere that Gvasalia herself masterfully executed, the previous shows were very different matters. Classic Men's T-shirt! As the footage reveals, the couturier models (celebrities, are chosen for their super glamorous hauteur rather than their looks, while Gvasalia's generation-wide cast deliberately defies traditional beauties. presence and character) walks through the stores, removing their coats and jackets with jerky movements and holding up number tags, while a bunch of customers chats and smoke - and every now and then, just get up and leave. (Collections are displayed every day for several weeks, so privileged customers — and boutique buyers and manufacturers alike) are looking for inspirational clothes to copy for their own customers. they — those who have overcome the dreaded price, Mademoiselle Renée, have come and gone as they please.)