Universum Weltraum Planeten Galaxie Space Sonnensystem Shirt
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Universum Weltraum Planeten Galaxie Space Sonnensystem Shirt! Gvasalia says: While he made his own accessories, "the aesthetic spirit of Cristóbal Balenciaga was present" - something that inspired him to make hats for the first time, leading to disc creations impressive flight in collaboration with Philip Treacy. "I discovered the factory!" Gvasalia earnestly. A hat, he protested, "is a strange thing - I've made baseball caps, but this is a new experience." Gvasalia also feels strongly about the importance of having an “iconic address – just like Chanel has rue Cambon,” he said. "At Balenciaga, we were like a nomad." Gvasalia discovered that Cristóbal Balenciaga's first salon, at 10 George V Avenue, was now being used as a storage facility, which to him was "blasphemous. I feel very sad - I want to return this address to the house. In order to reclaim the house's haute couture space once again, Gvasalia contemplated an experiment in time travel - "as if when they closed the house in '68, the door had been broken. locked and we just reopened it now.” After a meticulous restoration that involved researching and using authentic 1950s paint, while adding a layer of rust like Sleeping Beauty — covered with peeling plaster and trompe l'oeil water — the regenerative space used to showcase Gvasalia's debut collection. After all these huge [pre-pandemic] shows, I have the smallest backstage I've ever had — but haute couture is an exclusive, [and] that makes it really special. .”
Gvasalia has been inspired by the house's rich archives since he first arrived: Witness his fall 2016 debut, with molded tights and methods dramatic off-shoulder collar treatment applied to parkas and puffer tops; or fall 2017, with a reinterpretation of Cristóbal Balenciaga's relatively impressive size 1950s evening gowns. Gvasalia describes her research as "Cristóbal's master class. Universum Weltraum Planeten Galaxie Space Sonnensystem Shirt! It is really important to spend some time with actual pieces and prototypes, sketchbooks and notes, and personal things that belong to him to understand how he sees the relationship between his body and costumes. Then when you go into prototype mode, it's much easier... I don't mean channel... but dive into his thoughts. " For his haute couture debut, however, Gvasalia said that rather than paying homage, he wanted to "take inspiration from things I've seen in the archives, but to reinterpret them. , make them more modern” – although he sometimes finds that “Cristobal's work is difficult to do something different because it is already so good. " For example, the iconic silk gazar wedding dress from his spring 1967 collection presented a thesis of minimalism — and a case in point. (“Balenciaga gives the fabric a splash. pure and undisturbed,” Vogue wrote with David Bailey's photo of the original.) “We tried to do things differently with it,” Gvasalia said, before admitting that “After three tries, I had to go back to the original because there is no better way to do it — let's just accept that it's too modern and too minimalistic and so ingenious and enjoy doing it in one go. Modern texture!”
